Una crítica a Danto y Dickie desde la Sociología del arte

Authors

  • Adrià Harillo Pla Universidade Complutense de Madri/Tel Aviv University

DOI:

https://doi.org/10.25770/artc.13751

Keywords:

Institutional theory; sociology of art; philosophy of art; Danto; Dickie.

Abstract

In this article a methodological criticism is presented against the two maximum referents of the institutional theory of art from its philosophical approach. From the sociological principles according to which the reflection on the institutions must be structured on the concepts of "agent", "interest" and "mechanism", will be poses the theoretical weakness of Arthur C. Danto and George Dickie. In turn, it will be considered this weakness as the main cause of the frequent logical inconsistencies in both.

Author Biography

Adrià Harillo Pla, Universidade Complutense de Madri/Tel Aviv University

Filósofo da arte, Mestrado em Mercado da arte, Doutorando em Filsofia da arte. Investigador no Departamendo de Sociologia, Tel Aviv University. Tenho experiência em museus e galerias da arte em Espanha e a China, na mídia nacional e internacional e academicamente na China, Espanha, Israel, Italia e o Brasil. Especialista em Teoria Institucional da arte.

Additional Files

Published

2018-12-24

How to Cite

Harillo Pla, A. (2018). Una crítica a Danto y Dickie desde la Sociología del arte. artciencia.Com, Revista De Arte, Ciência E Comunicação, (22-23). https://doi.org/10.25770/artc.13751