Repatriation as a field of power: a critical commentary on The Empty Showcase Syndrome, by Jos van Beurden

Auteurs

  • Paulina Faba Director of Museo de Arte Popular Americano Tomás Lago (MAPA). Associate Professor, Department of Art Theory, Faculty of Arts, University of Chile https://orcid.org/0000-0001-5701-337X

DOI :

https://doi.org/10.4000/15stm

Mots-clés :

repatriation, museums

Résumé

In a global political climate where respect for international law weakens and imperialist movements gain increasing power, museums emerge as institutions that should strive to play a crucial role in critically reviewing the histories that drove their development and the production of their heritage. The repatriation or restitution of archaeological, ethnographic, and artistic pieces to countries that suffered the ravages of colonialism constitutes one of the fundamental actions in this critical exercise, aimed at strengthening museum decolonization policies worldwide.

Publiée

2026-03-01

Comment citer

Faba, P. (2026). Repatriation as a field of power: a critical commentary on The Empty Showcase Syndrome, by Jos van Beurden. Etnográfica, 30(1), 167–174. https://doi.org/10.4000/15stm

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