Musique des Indiens du Brésil recueillie au 19ème siècle et dans la première moitié du 20ème siècle

Appropriations et relectures du colonisateur et du musicien occidental

Auteurs

  • José D'Assunção Barros Universidade Federal Rural do Rio de Janeiro

Résumé

This article, uniting historiographical, anthropologic and musical perspectives, intends to examine fundamental aspects of Brazilian indigenous music, including the social dimension and the history of assimilation and restrictions imposed by the Western culture. It is intended, above all, to reflect on the inadequacy of approaches which have examined the indigenous practical music based on criteria of listening and annotations exclusively cemented on Western parameters. This text is an attempt to reflect the distortions that can arise from a dislocation of a cultural production outside of its context.

Biographie de l'auteur

José D'Assunção Barros, Universidade Federal Rural do Rio de Janeiro

Professor da Universidade Federal Rural do Rio de Janeiro (Brasil), nos cursos de Graduação e Pós-Graduação em História. Professor-Colaborador do Programa de Pós-Graduação em História Comparada da Universidade Federal do Rio de Janeiro. Doutor em História pela Universidade Federal Fluminense.

Fichiers supplémentaires

Publiée

2019-01-02

Numéro

Rubrique

Artigo de fundo