De la proyección audiovisual a la reflexión personal: ¿Pueden las películas estimular realmente la capacidad de resolución de problemas de los alumnos?

Autores/as

DOI:

https://doi.org/10.21814/rpe.33838

Palabras clave:

Películas, Estudiantes, Resolución de problemas, Educación

Resumen

Este estudio explora el potencial de las películas para estimular la capacidad de resolución de problemas, a partir de un estudio de caso con estudiantes de entre 10 y 22 años del archipiélago de las Azores (Portugal). Investiga si la exposición a proyecciones audiovisuales, como las películas, puede fomentar la reflexión personal, la introspección y, en última instancia, contribuir a mejorar las capacidades individuales de resolución de problemas, un aspecto clave en la educación contemporánea. Se utilizó un enfoque de investigación empírica de métodos mixtos, aplicando un cuestionario a una muestra diversa de estudiantes (N = 591). El diseño del estudio consistió en exponer a los participantes a una secuencia de cortometrajes animados cuidadosamente seleccionados, representativos de los principales problemas de la juventud, seguidos de debates. A continuación, se invitó a los estudiantes a rellenar un cuestionario anónimo online para observar sus reacciones cognitivas y emocionales. Los resultados indican una correlación positiva entre la exposición a las películas y la construcción de escenarios hipotéticos de resolución de problemas, y los participantes informan de nuevas percepciones para manejar posibles situaciones difíciles futuras en sus propias vidas.

Descargas

Los datos de descargas todavía no están disponibles.

Citas

Akram, A., O’Brien, A., O’Neill, A., & Latham, R. (2009). Crossing the line: Learning psychiatry at the movies. International Review of Psychiatry, 21(3), 267-268. https://doi.org/10.1080/09540260902746880

Appel, M., & Richter, T. (2010). Transportation and need for affect in narrative persuasion: A mediated moderation model. Media Psychology, 13(2), 101-135. https://doi.org/10.1080/15213261003799847

Bauer, M. W., & Gaskell, G. (Eds.). (2015). Qualitative researching with text, image and sound: A practical handbook for social research. Sage Publications.

Blasco, P. G., Blasco, M. G., Levites, M. R., Moreto, G., & Tysinger, J. W. (2011). Educating through movies: How Hollywood fosters reflection. Creative Education, 2(3), 174-180. https://doi.org/10.4236/ce.2011.23024

Blasco, P. G., Moreto, G., Blasco, M. G., Levites, M. R., & Janaudis, M. A. (2015). Education through movies: Improving teaching skills and fostering reflection among students and teachers. Journal for Learning through the Arts, 11(1), 1-16. https://doi.org/10.21977/D911122357

Bordwell, D. (2013). The viewer’s share: Models of mind in explaining film. In A. P. Shimamura (Ed.), Psychocinematics: Exploring cognition at the movies (p. 29-52). Oxford University Press. https://doi.org/10.1093/ACPROF:OSO/9780199862139.001.0001

Boydell, K. M., & Croguennec, J. (2022). A creative approach to knowledge translation: The use of short animated film to share stories of refugees and mental health. International Journal of Environmental Research and Public Health, 19(18), e11468. https://doi.org/10.3390/ijerph191811468

Brown, T. (2011). Using film in teaching and learning about changing societies. International Journal of Lifelong Education, 30(2), 233-247. https://doi.org/10.1080/02601370.2010.547615

Cardoso, G. (2023). A comunicação da comunicação: As pessoas são a mensagem. Mundos Sociais. http://hdl.handle.net/10071/31443

Carroll, N. (2008). The philosophy of motion pictures. Blackwell Publishing.

Castells, M. (2010). The rise of the network society (2nd Ed., Vol. I). Blackwell Publishing. https://doi.org/10.2307/1252090

Cinema Sem Conflitos. (2022a). Mostra Cinema Sem Conflitos 2022 - Official website. Retrieved from https://cinemasemconflitos.pt/2022/

Cinema Sem Conflitos. (2022b). Screening program - Mostra Cinema Sem Conflitos 2022 Retrieved from https://cinemasemconflitos.pt/2022/PROGRAMA-MCSC2022.pdf

Cohen, J. (2018). Defining identification: A theoretical look at the identification of audiences with media characters. In R. Wei (Ed.), Advances in foundational mass communication theories (pp. 253–272). Routledge. https://doi.org/10.4324/9781315164441-14

Cohen, L., Manion, L., & Morrison, K. (2007). Research methods in education (6th Ed.). Routledge. https://doi.org/10.4324/9780203029053

Costa, D. A. (2017). O cinema no ensino de competências socioemocionais: Um guia didático para professores (Vol. 1). Instituto Federal do Amazonas.

Esmail, S., & Matthews-Roper, M. (2022). Lights, camera, reaction: Evaluating extent of transformative learning and emotional engagement through viewer-responses to environmental films. Frontiers in Education, 7, e836988. https://doi.org/10.3389/feduc.2022.836988

Goleman, D. (1995). Emotional intelligence. Bantam Books.

Goodwin, J., Bradley, S. K., Donohoe, P., Queen, K., O’Shea, M., & Horgan, A. (2019). Bullying in schools: An evaluation of the use of drama in bullying prevention. Journal of Creativity in Mental Health, 14(3), 329-342. https://doi.org/10.1080/15401383.2019.1623147

Griffin, E., Ledbetter, A. M., & Sparks, G. G. (2018). A first look at communication theory (10th Ed.). McGraw-Hill Education.

Grodal, T. (2006). The PECMA flow: A general model of visual aesthetics. Film Studies, 8(1), 1-11. https://doi.org/10.7227/fs.8.3

Grodal, T. (2017). How film genres are a product of biology, evolution and culture: An embodied approach. Palgrave Communications, 3, e17079. https://doi.org/10.1057/palcomms.2017.79

Gutiérrez Moar, M. C., Pereira Domínguez, M. C., & Valero Iglesias, L. F. (2006). El cine como instrumento de alfabetización emocional. Teoría de La Educación: Revista Interuniversitaria, 18, 229-260. https://doi.org/10.14201/3219https://doi.org/10.1057/palcomms.2017.79

Hanich, J. (2021). How many emotions does film studies need? A Phenomenological proposal. Projections: The Journal for Movies and Mind, 15(2), 91-115. https://doi.org/10.3167/proj.2021.150204

Libertson, F. (2023). Inner transitions in higher education in Sweden: Incorporating intra-personal skills in education for sustainable development. International Journal of Sustainability in Higher Education, 24(9), 213-230. https://doi.org/10.1108/IJSHE-12-2022-0395

Mangot, A. G., & Murthy, V. S. (2017). Cinema: A multimodal and integrative medium for education and therapy. Annals of Indian Psychiatry, 1(1), 51-53. https://doi.org/10.4103/aip.aip_13_17

McQuail, D. (2010). McQuail’s mass communication theory (6th Ed.). Sage Publications.

Morris, B. S., Chrysochou, P., Christensen, J. D., Orquin, J. L., Barraza, J., Zak, P. J., & Mitkidis, P. (2019). Stories vs. facts: Triggering emotion and action-taking on climate change. Climatic Change, 154(1–2), 19-36. https://doi.org/10.1007/s10584-019-02425-6

O’Toole, J., & Burton, B. (2002). Cycles of harmony: Action research into the effects of drama on conflict management in schools. Applied Theatre Researcher, 3. http://hdl.handle.net/10072/6616

Oh, J., & Steefel, L. (2016). Nursing students’ preferences of strategies surrounding cinenurducation in a first year child growth and development courses: A mixed methods study. Nurse Education Today, 36, 342-347. https://doi.org/10.1016/j.nedt.2015.08.019

Petkari, E. (2017). Building Beautiful Minds: Teaching Through Movies to Tackle Stigma in Psychology Students in the UAE. Academic Psychiatry, 41(6), 724–732. https://doi.org/10.1007/s40596-017-0723-3

Silva, R. B., Rodrigues, J. A., & Gouveia, I. R. (2023). From conception to implementation: How the ‘Cinema Without Conflict Showcase’ inspired change in Azorean schools. 14, 8. https://publication.avanca.org/index.php/avancacinema/article/view/521/1024

Sipsock, D., & Storey, K. (2019). Film as an educational modality of psychiatry. The Brown University Child and Adolescent Behavior Letter, 35(6), 1-6. https://doi.org/10.1002/CBL.30383

Szita, K. (2019). Smartphone cinematics: A cognitive study of smartphone spectatorship. University of Gothenburg. http://www.tara.tcd.ie/handle/2262/99565

Tan, E. S. (2013). Emotion and the structure of narrative film: Film as an emotion machine. Routledge. https://doi.org/10.4324/9780203812761

Torrego Seijo, J. C. (Ed.). (2003). Mediação de conflitos em instituições educativas: Manual para formação de mediadores (J. C. Eufrásio, Trad.). ASA.

UNESCO. (2017). Education for sustainable development goals: Learning objectives [Report]. UNESCO. https://doi.org/10.54675/cgba9153

Utomo, P., & Maratus, S. (2021). The effectiveness of using educational cinema techniques to increase students’ self-confidence: An experimental research. ProGCouns: Journal of Professionals in Guidance and Counseling, 2(2), 51-61. https://doi.org/10.21831/progcouns.v2i2.41101

Zheltukhina, M. R., Kislitsyna, N. N., Tameryan, T. Y., Baranova, K. M., Chupryna, O. G., & Sergeeva, O. V. (2023). Identity construction and self-identification of the protagonist in the film media discourse: Multi-modal linguo-semiotic approach. Online Journal of Communication and Media Technologies, 13(3), e202323. https://doi.org/10.30935/OJCMT/13096

Descargas

Publicado

2025-05-05

Cómo citar

Silva, R. B., & Martins, P. M. (2025). De la proyección audiovisual a la reflexión personal: ¿Pueden las películas estimular realmente la capacidad de resolución de problemas de los alumnos?. Revista Portuguesa De Educación , 38(1), e25012. https://doi.org/10.21814/rpe.33838