A prática de Alecky Blythe: Headphone Verbatim Theatre um dispositivo de autenticidade
DOI:
https://doi.org/10.51427/cet.sdc.2024.3.3.7Keywords:
Headphone Verbatim, Alecky Blythe, Transmission, Theatre of the Real, Political TheatreAbstract
In this article we will analyze the creation procedures of Alecky Blythe, founder of the theatre company Recorded Delivery, which uses the headphone verbatim theatre, in which the testimonies recorded in audio and listened in real time by the actors on the headphones, work as a guarantee of the authenticity of the testimonies giving visibility to the stories of a certain community. We will start from the plays Come Out Eli and The Girlfriend Experience to analyze the playwright's practice and her creation methodology. The questions to deal with are: from the analysis of the creator Aleck Blythe, what kind of processes and methodologies of writing and staging are summoned? From the creation of the text to the staging, what are the ethical
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Copyright (c) 2024 Ricardo Correia

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