O saber histórico e a experiência estética no teatro documentário contemporâneo
DOI:
https://doi.org/10.51427/cet.sdc.2016.0005Keywords:
Documentary theatre, Historiography, Memory, Production of meaning, Production of presenceAbstract
The essay focuses on the contemporary documentary performance regarding the transmission of historical knowledge on a double perspective: theatre and the production of meaning, history and the production of presence, according to the ideas of German philosopher Hans Ulrich Gumbrecht. In order to accomplish that, two plays are analysed: Um Museu Vivo de Memórias Pequenas e Esquecidas [A Living Museum of Small and Forgotten Memories] by Joana Craveiro, from Lisbon, Portugal, and Guerrilheiras ou Para a Terra não Há Desaparecidos [Guerrilla Women or There Are No Missing People for the Earth] by Gabriela Carneiro da Cunha, from Rio de Janeiro, Brazil.
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Copyright (c) 2016 Daniele Ávila Small
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