Territórios criativos de um possível Teatro Migrante - O caso do Movimento Zebra

Authors

DOI:

https://doi.org/10.51427/cet.sdc.2022.0003

Keywords:

Teatro migrante, territórios criativos, Movimento Zebra, Interculturalidade, Descolonização

Abstract

This article presents a descriptive case study conducted during the year 2021 as part of the Movimento Zebra Project with the intention of demonstrating that theater is an effective tool for the establishment of intercultural creative territories. The proposal of the term "Migrant Theater" is inspired by the studies of Emma Cox (2014), Szabolcs Musca (2019), and Musca & Corrêa (2020), with an expansion of this term to open up possibilities of movement and wandering while inaugurating an experience of corporality and ethical space in dialogue with the concept of interculturality, as defined by the author Nestor Garcia Canclini (2009), in the light of decoloniality expressed in the research of the writer Catherine Walsh (2018).

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Published

2022-12-27

How to Cite

Anthony , P. (2022). Territórios criativos de um possível Teatro Migrante - O caso do Movimento Zebra. Sinais De Cena, 3(1), 33–52. https://doi.org/10.51427/cet.sdc.2022.0003

Issue

3rd series, nr. 1 (2022)

Section

Essays (Applied studies)

License

Copyright (c) 2022 Patrícia Anthony

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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