Um teatro que leva em conta a história: Emmanuel Kant
DOI:
https://doi.org/10.51427/cet.sdc.2004.0017Keywords:
Critique, Spectacle, Emmanuel Kant, Thomas Bernhard, RogerAbstract
Crítica ao espectáculo: Emmanuel Kant, de Thomas Bernhard, encenação de Roger Planchon, Théâtre National Populaire e Studio 24 – Compagnie Roger Planchon, Festival de Almada e Centro Cultural de Belém, 2004.
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Copyright (c) 2004 Christine Zurbach

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