Ser é ser verdadeiro? Ou a verdadeira dor é ser visto?: dúvidas existenciais da arte contemporânea
DOI:
https://doi.org/10.51427/cet.sdc.2006.0055Keywords:
Theatre, Performance, Alkantara Festival, Flatland Trilogy, Patrícia Portela, Who's afraid of representation, Rabih MrouéAbstract
Crítica aos espectáculos Trilogia Flatland, de Patrícia Portela, e Who's afraid of representation?, de Rabih Mroué, apresentados no âmbito da primeira edição do Alkantara Festival, Lisboa, 2006.Downloads
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Copyright (c) 2006 Ana Pais

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