Elisabete Mileu:«exposição» e performance do corpo nu
DOI:
https://doi.org/10.51427/cet.sdc.2020.0016Keywords:
Performance, Documentation, "Exhibition value", "Cult value", Naked bodyAbstract
Elisabete Mileu had a unique trajectory in the art of Portuguese performance, having participated in almost all the events/cycles/festivals/biennials of this artistic genre that happened between the years 1980 and 1990 in Portugal and also internationally, in countries like Spain, France, Canada, Austria. This expressive representation of her work contrasts, paradoxically, with the lack of documentation we have of her performances: only some records, especially photographic, fragmentary and scattered in catalogs and reviews. From the analysis of these records, or the absence of them, we will try to analyze the value of “exposition” and “cult” of their performances where the exposure of their naked body stands out.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Cláudia Madeira
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish in Sinais de Cena will release their contributions under the Creative Commons — Attribution-NonCommercial-NoDerivs 3.0 Portugal — CC BY-NC-ND 3.0 PT: “Licensees may share, copy and distribute the material in any medium or format, under the following terms: 1) You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. 2) You may not use the material for commercial purposes. 3) If you remix, transform, or build upon the material, you may not distribute the modified material".
