A criação dramatúrgica e a encenação a partir do teatro estático de Fernando Pessoa
DOI:
https://doi.org/10.51427/cet.sdc.2021.0006Keywords:
Static Drama, Interiority, Dramaturgy, Silence, Theatrical aestheticsAbstract
Fernando Pessoa’s plays or just a few fragments of these have been staged in Portugal over the past sixty years, alongside the author’s poetry. In this essay we take as an example the experience, in the first person, of dramaturgical creation and staging based on texts from Fernando Pessoa’s static drama, in order to demonstrate that these plays give contemporary creation a theatrical aesthetic that is not defined by the literary form or category but by the characteristics that come from a meticulous choice of words by the author.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Ricardo Boléo
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish in Sinais de Cena will release their contributions under the Creative Commons — Attribution-NonCommercial-NoDerivs 3.0 Portugal — CC BY-NC-ND 3.0 PT: “Licensees may share, copy and distribute the material in any medium or format, under the following terms: 1) You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. 2) You may not use the material for commercial purposes. 3) If you remix, transform, or build upon the material, you may not distribute the modified material".