A prática de "nadear": notas sobre uma investigação da Ação no "exercício de diferença"

Authors

DOI:

https://doi.org/10.51427/cet.sdc.2022.0007

Keywords:

acting, acting studios, action, modes of perception, poetics of performance

Abstract

““nadear”” is a practice that has been experienced in O Canto do Bode studio to investigate the action in the exercise of difference. Acting in difference is to privilege the unknown dimension of everything that surrounds and passes through the actress and actor on stage. The perspective of action proposed by Stanislavski has been a fundamental reference. Action is the effect of forces. In Action, body-actress/actor is part of a universal movement corresponding to life: permanent regeneration, difference. This perspective of action is impossible in the over-identified way we relate to what is happening in us and in our surroundings. Actress and actor when play “nadear” are challenged to find a greater interaction with difference. The experimentation of what happens when the agent gives up doing what he wants to do has been an important strategy of this practice. It is noticed that this disposition opens up more powerful possibilities than those of actions markedly voluntary.

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Published

2022-12-27

How to Cite

Lemos, V. (2022). A prática de "nadear": notas sobre uma investigação da Ação no "exercício de diferença". Sinais De Cena, 3(1), 103–120. https://doi.org/10.51427/cet.sdc.2022.0007

Issue

3rd series, nr. 1 (2022)

Section

Essays (Applied studies)

License

Copyright (c) 2022 Vítor Lemos

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