Da cena dragqueen underground ao Teatro Nacional D. Maria II: Gaya de Medeiros

Authors

  • Nathalie Brunetti Cassis Master in Theatre Studies student (FLUL)

DOI:

https://doi.org/10.51427/cet.sdc.2022.0008

Keywords:

performance, trans, body, archive, covid-19

Abstract

The article approaches, through the compilation and structure of archive fragments, the artistic journey of the Brazilian artist Gaya de Medeiros, from the Lisbon dragqueen underground scene until Teatro Nacional D. Maria II’s stage arrival.

Downloads

Download data is not yet available.

Downloads

Published

2022-12-27

How to Cite

Brunetti Cassis, N. (2022). Da cena dragqueen underground ao Teatro Nacional D. Maria II: Gaya de Medeiros. Sinais De Cena, 3(1), 121–136. https://doi.org/10.51427/cet.sdc.2022.0008

Issue

3rd series, nr. 1 (2022)

Section

Essays (Applied studies)

License

Copyright (c) 2022 Nathalie Brunetti Cassis

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Authors who publish in Sinais de Cena will release their contributions under the Creative Commons — Attribution-NonCommercial-NoDerivs 3.0 Portugal — CC BY-NC-ND 3.0 PT: “Licensees may share, copy and distribute the material in any medium or format, under the following terms: 1) You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. 2) You may not use the material for commercial purposes. 3) If you remix, transform, or build upon the material, you may not distribute the modified material".