Políticas da imagem em Gemelos e Sin Sangre: Articulações poéticas entre cena, marionete e tecnologia audiovisual

Authors

DOI:

https://doi.org/10.51427/cet.sdc.2023.0005

Keywords:

Neo-baroque, Puppet, Audiovisual technology, Theatre and politics

Abstract

This article, based on the theatrical productions Gemelos and Sin Sangre by the Chilean company TeatroCinema (Ex-La Troppa), proposes a poetic articulation between puppet and audiovisual technology, crucial elements in each of these works respectively. In a neo-baroque interpretation, considering the context of the contemporary scene in the Latin American perspective, as well as the globalized setting in which these theatrical pieces emerge, the company's scenic aspects will be studied in terms of their sensory and imagery strength, in order to outline a political link encrypted in their poetics.

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Published

2023-12-28

How to Cite

Briones, H. (2023). Políticas da imagem em Gemelos e Sin Sangre: Articulações poéticas entre cena, marionete e tecnologia audiovisual. Sinais De Cena, 3(2), 70–107. https://doi.org/10.51427/cet.sdc.2023.0005

Issue

3rd Series, nr. 2 (2023)

Section

Thematic dossier

License

Copyright (c) 2023 Héctor Briones

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