Políticas da imagem em Gemelos e Sin Sangre: Articulações poéticas entre cena, marionete e tecnologia audiovisual
DOI:
https://doi.org/10.51427/cet.sdc.2023.0005Keywords:
Neo-baroque, Puppet, Audiovisual technology, Theatre and politicsAbstract
This article, based on the theatrical productions Gemelos and Sin Sangre by the Chilean company TeatroCinema (Ex-La Troppa), proposes a poetic articulation between puppet and audiovisual technology, crucial elements in each of these works respectively. In a neo-baroque interpretation, considering the context of the contemporary scene in the Latin American perspective, as well as the globalized setting in which these theatrical pieces emerge, the company's scenic aspects will be studied in terms of their sensory and imagery strength, in order to outline a political link encrypted in their poetics.
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Copyright (c) 2023 Héctor Briones
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