Ensaio sobre o paradoxo da presença no teatro de animação: o duplo é uma iminência?

Authors

DOI:

https://doi.org/10.51427/cet.sdc.2023.0009

Keywords:

Presence, Animation theatre, Double, Body, Hybrid puppets

Abstract

This essay discusses the paradox of presence in animation theater, focusing on the dubious relationship between the presence of the actor-animator's body and the presence of the puppet's body or animated form, raising aesthetic and language issues, which are evidenced in hybrid forms. This approach emphasizes three perspectives: veiled presence, related to the presence of the non-visible actor-animator to the public; an empirical essay on the proximal field between body, mask and puppet; and hybrid bodies, in what concerns the relations of negotiation, composition and illusion between humans and puppets.

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Published

2023-12-28

How to Cite

Nunes Medeiros, F. H. (2023). Ensaio sobre o paradoxo da presença no teatro de animação: o duplo é uma iminência?. Sinais De Cena, 3(2), 188–221. https://doi.org/10.51427/cet.sdc.2023.0009

Issue

3rd Series, nr. 2 (2023)

Section

Thematic dossier

License

Copyright (c) 2023 Fábio Henrique Nunes Medeiros

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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