A cena da crítica contemporânea: artes expandidas & sociedades contraídas
DOI:
https://doi.org/10.51427/cet.sdc.2018.0003Keywords:
Theatre criticism, Public sphere, Mimesis, Performance, Art criticismAbstract
The text departs from the perspective of an expanded scene in which several artistic fields are mixed in new forms, hybrid and transgenic. It discusses the tension between the supposed essence and specificity of each one of the arts (teknês) and this expansion diluting frontiers. It proposes then the notion of a performative mimesis, differentiated from the dramatic mimesis, projecting all these distinct arts in a common field in which different means get mixed. Facing those premises, we reflect on the question of the artistic critic in contemporaneity, retaking David Hume’s essay on the "Pattern of Taste" in contrast with Immanuel Kant’s "Critic of Judgment" and discussing the hegemony of the Deleuzian philosophy in the present critic essays on art.
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Copyright (c) 2018 Luiz Fernando Ramos
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