OFF-élia: performatividade drag no contexto de Hamlet

Authors

  • Lara Barbosa Couto Universidade Vila Velha
  • Marthins Machado Universidade Vila Velha

DOI:

https://doi.org/10.51427/cet.sdc.2018.0014

Keywords:

Theatre, Drag queen performance, Scenic construction, Queer theory

Abstract

The present article intends to expose the results of the procedures of creation from the inversion of genres in the construction of the performance Vértices. The study is based on the investigation of devices related to the Drag Queen cul‑ ture in conjunction with Contemporary Theater, in order to assist in the con‑ struction of poetic paths for the soloist. In order to conceive the interweaving between Drag and artistic construction for theater, with academic reflection on the history of gender inversion throughout theater history, the boundaries between expression of gender identity and artistic performance and its results in the scenic construction of the theatrical performance Vértices.

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Published

2018-03-19

How to Cite

Couto, L. B., & Machado, M. (2018). OFF-élia: performatividade drag no contexto de Hamlet. Sinais De Cena, (3), 168–181. https://doi.org/10.51427/cet.sdc.2018.0014

Issue

2nd series, nr. 3 (2018)

Section

Essays (Applied studies)

License

Copyright (c) 2018 Lara Barbosa Couto, Marthins Machado

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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