A colagem, como estruturadora da imagem da obra dramática de Pablo Picasso: o desejo pego pelo rabo

Authors

DOI:

https://doi.org/10.51427/cet.sdc.2020.0007

Keywords:

Collage, Dramaturgic work, Language interrelations, Picasso, Fragment

Abstract

This work is dedicated to the study of the correlations between the dramatic and pictoric discourse present in the dramaturgic text of Pablo Picasso "The desire caught by the tail". The study aims to analyze the images created by Picasso in his dramaturgic text with the idea of collage as the backbone of his scenic thinking.

The understanding of collage, from the idea of shock operated between heterogeneous materials, is the object of investigation and reflection of this research
through the images created by Picasso in his theatrical play. The work seeks to analyze this dramaturgic work with the intention of establishing parallels between distinct representative languages.

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Published

2020-01-06

How to Cite

Malecha , A. L. B. (2020). A colagem, como estruturadora da imagem da obra dramática de Pablo Picasso: o desejo pego pelo rabo. Sinais De Cena, (4), 73–89. https://doi.org/10.51427/cet.sdc.2020.0007

Issue

2nd series, nr. 4 (2020)

Section

Essays (Applied studies)

License

Copyright (c) 2020 Ana Lúcia Brasil Malecha

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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